The Atlantic Cities, June 6, 2012
Great Old Bones in a New Neighbourhood
Landscapes/Paysages, Spring 2010
L'Humanité, 1er mars 2010
Faute d’accréditations pour couvrir les jeux Olympiques, de nombreux réseaux sociaux et blogueurs ont ouvert un centre de presse parallèle dans le centre-ville de Vancouver et couvrent les sujets délaissés par les médias traditionnels. Reportage.
L'Humanité, 22 février 2010
L'Humanité, 18 février 2010
Si Vancouver, hôte des Jeux d’hiver, est vanté pour sa qualité de vie, la ville a aussi son revers de la médaille. « Visite » de Dowtown Eastside, quartier déshérité à l’ombre de l’or olympique.
L'Humanité, 16 février 2010
The story of a physiological and political disease.
The Warehouse, October 2009
A view of kinshasa, Democratic Republic of the Congo.
(The Africa we don’t see on TV)
““But why do I feel as a European that this city is a total chaos? I think it is a typical response. There is a myth that the city is ordered and that myth exists in city halls around the world. The reality is however, that the city has always been chaotic. In Caracas all these forces stream freely and have produced new forms of city that are not known to us.””
- Hubert Klumpner in Caracas, The Informal City. Documentary for VPRO television The Netherlands, http://tegenlicht.vpro.nl/backlight/Caracas-the-informal-city.html
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“By projecting economic values on all aspects of physical form and space, the city itself becomes a commodity, based on an exchange value. In this way, planning turns into a mere problem of demand and supply. The neo-liberal urban model is determined by a tendency towards largeness, profit accumulation, commoditisation of the public sphere, fractionation and specialisation of its components, and standardisation of its physical forms.
Can cities in the future be more than a sheer result of economic interests? Can they still be a social space, determined by the requirements of everyday life? And can planning remain not just a free market activity, but also a cultural performance, committed to public interest?”
”Eye-catching new architecture projects are emblematic of Medellín’s return from a city of violence to a city of ‘research and entrepreneurship’. But behind the scenes is a multilayered program of social and physical interventions, disarmament of paramilitary groups and security improvements, a program not without its mistakes as Flavie Halais reports.
I’m quite impressed with what David Alan Harvey as come up with for his Rio book. The design is absolutely smart and new, and the photos stunning.
Mjölk, The Junction, Toronto. Amazing design store.
PORTUGUESE MEMORY SHEETS

